Wharton's spirit warms Berkshire Wordfest
LENOX -- While she lived at the Mount, Edith Wharton discovered the power and honesty of writing novels, and through her novels, she made friends. The Mount may have been the first place where she felt fully herself.
And here, on Saturday, writers will talk about finding home.
"It's an amazing setting, first of all," said Suketu Mehta, professor of journalism at NYU. "We will rely on all these good spirits to aid us in our discussions, and the topic is broad enough to let us say what is on our minds."
From Friday night to Sunday afternoon, more than 20 writers will gather for Berkshire Word fest at the Mount. Wordfest's excitement runs deeper than most word festivals, said festival director Christine Triantos, because of the writers who have lived, worked and talked here in the past -- because Edith Whar ton and Henry James sat on the terrace on summer nights, reading Walt Whitman's "Leaves of Grass" aloud.
And in this festival, writers can to talk to each other.
Mehta, who now travels between Bombay and New York City, will join a panel with novelist Roxana Robinson, who lives in the house her grandparents built in West Cornwall, Conn. In a conversation called "From Insider to Informant," with Adam Gopnik of The New yorker and Harold Augenbaum, executive director of the National Book Foundation, they will talk about how and why they write about the worlds they know.
"Everybody is an insider," Rob inson said. "Everyone knows about their own culture in a way they take for granted."
As people experience the world, she said, they begin to learn how many ways people live, and how many assumptions they have made. She values both exploration and familiarity.
"You start off knowing your own culture in a way you will have to work to know others," she said. "How they really say good morning. What they wear on their feet."
Robinson's culture is yankee, Puritan. She is fond of it, she said; she admires it, and she sees its weaknesses. Her novels often inhabit in this world, the uncomplaining "waste not, want not" world where people save chairs for generations because they still work -- and the most important things are rarely said aloud.
The key to getting to know a world or a person, she said, is compassion.
"I write out of curiosity," she said, "and a need to understand something."
Mehta also writes from a need to know. He had left Bombay at 14 to move with his family to New York. Almost all of the writing he does, he said, has come from this "sundering."
"I became a writer to understand that transition," he said. "A lot of us on this planet are in this condition of not being native to anywhere. As writers, we are our own informants. We go back to our childhoods and tell stories to ourselves, our own stories."
When he returned to Bombay as an adult, at first he passionately disliked it. He grew to understand it again, he said. This is a city where people like to talk, in trains and movie theaters and on sidewalks. He met film makers, criminals and policemen, poor women banding together to get clean water -- and he built a book out of conversations.
"My way of going home was to collect stories," he said, "and I knew I was home when the city revealed itself to me" and began telling them.
The book proved to him that he could go home, and that he could leave again. He learned that home could exist in more than one place.
Triantos has delighted in meeing the writers in this year's festival and has found them enthusiastic, generous and gracious, she said. She imagines the writers leaving the festival in the evenings to continue the day's conversations into the small hours.
Advisory board member Nor een Tomassi agrees that the writers she has talked with are excited about the weekend. They feel a connection to Whar ton, she said.
She feels Wharton is finally getting the recognition and the place in the canon that she deserves.
Tomassi, executive director of the Center for Fiction in New York, will lead a conversation on "the Literary Lure of De structive Choices." A novelist may lead a character to do terrible things because the story demands it, she said, as "The House of Mirth" demands Lily Bart's suicide.
"Wharton's books are full of important choices on how to live," she said.
A novelist may lead a character through a destructive choice, she said in a way that leads people to think about their own choices.
In a powerful book, Robinson agreed, the reader feels what the characters are going through -- when they hurt, and when they give pain.
"If you're alive, you're trying to survive," she said. "If you disregard that struggle and say there's no point, you're missing the best part."
"People who are unhappy all the time are just as boring as people who are happy all the time. The struggle is interesting, and it's more interesting if someone is working toward the light." Wednesday September 12, 2012
What: Berkshire Wordfest
Where: The Mount,
2 Plunkett St., Lenox
When: Friday to Sunday
Friday: Literary Laughs
with Alison Larkin and
Kevin O'Hara, 5 p.m.
Saturday: Books and bagels,
(breakfast for purchase) 9 a.m.
Poets and writers read,
10 a.m. to 5 p.m.
Conversations, 10 a.m. to 5 p.m.
Music After Hours, 5:30
to 8:30 p.m.
Sunday: Books and bagels, 9 a.m. Poets and writers read,
10 a.m. to 3:15 p.m.
Panels and conversations,
10 a.m. to 2:45 p.m.
Admission: Admission is free
to the Mount and to many events, including many
readings, Books and Bagels, and Music After Hours.
Panels and conversations
are ticketed at $25 each.
All-day and weekend passes
Full schedule: Events and writers
Call: (413) 551-5100
For more about Berkshire Wordfest, visit www.berkshire
TALK TO US
If you'd like to leave a comment (or a tip or a question) about this story with the editors, please email us. We also welcome letters to the editor for publication; you can do that by filling out our letters form and submitting it to the newsroom.