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It is admittedly difficult not to view art through the 24/7 international news cycle. But in our era of climate change, how else should art, particularly in or about the landscape, be understood? February brought torrential downpours to Rheingantz’s city of São Paulo, causing deadly flooding and landslides while Prendergast’s Venice experienced such drought that gondolas were banked, stuck and useless in waterless canals. Nothing suggests the party is over quite like a gondola on its side in the sand.

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