For the last show she will be directing while still BSC’s artistic leader, Julianne Boyd  is returning to Sondheim’s elegant 1973 musical about sexual and romantic liaisons among the high-born — and a few low-born — in a community somewhere in turn-of-the-century Sweden.

The joint is truly jumpin’ throughout director/choreographer Jeffrey L. Page’s singular, boldly theatrical treatment of “Ain’t Misbehavin’: The Fats Waller musical,” which opened over the weekend at Barrington Stage Company’s Boyd-Quinson Stage.

By chance — call it luck of the draw, if you will — relationships — how they begin, how they end, how they sustain themselves — reverberate through the more rewarding plays in this year’s “Tens” collection, says Jeffrey Borak, Eagle Theater Critic.

Barrington Stage's 10X10 New Play Festival returns with in-person performances at Boyd-Quinson Stage, from Feb. 24 to March 13.

Every ounce of the imaginative work and thought director-choreographer Joshua Bergasse and co-choreographer Alberto Lopez have put into this highly theatrical piece shows in the solidly crafted, expertly performed production that is having its world premiere at BSC’s theater on Union Street.

Commissioned through BSC’s Sydelle Blatt New Works Commissioning Program and created in association with Calpulli Mexican Dance Company, “A Crossing: A Dance Musical” is the story of a group of migrants crossing the U.S.-Mexico border in search of a better life here.

Billy Crystal is bringing his new musical, "Mr. Saturday Night," to Barrington Stage Company's Boyd-Quinson Stage for nine performances only at the end of October.

At Barrington Stage Company’s Boyd-Quinson Stage, Alec Wilkinson’s two-character "Sister Sorry" is being given a vigorously played, brilliantly staged world premiere.

PITTSFIELD — A conceptual artist’s unusual project takes an unusual and unexpected turn in “Sister Sorry,” a new play by Alec Wilkinson that i…